目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Printed in dark green intaglio on white paper, the reverse centres on a large architectural vignette of the Bank of Montreal's head office on St. James Street, Montreal, rendered in fine line engraving with a horse-drawn carriage in the foreground. The denomination '100' appears in large numerals within guilloche panels at lower left and right, while the legend 'BANK OF MONTREAL' arches across the top and 'ONE HUNDRED DOLLARS' runs along the lower border, all framed by intricate lathe-work guilloche. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | Sir Frederick Williams-Taylor and Vincent Meredith |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Bank of Montreal's 1923 series was printed by the Canadian Bank Note Company at their Ottawa plant during a period when private chartered banks in Canada still retained the legal right to issue their own currency — a right that would effectively end with the 1944 Bank Act amendments. The $100 denomination circulated almost entirely in commercial and interbank transactions; retail use was negligible given average wages of the period.
High-denomination chartered bank notes from this era are genuinely difficult to locate today. Most were retired and destroyed through the clearing system rather than worn out in public hands, meaning survivors tend to be either cancelled remainders or the occasional example that escaped destruction through institutional oversight.