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100 Dinara
| Uitgever | Serbian National Bank |
|---|---|
| Jaar | 1941 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | WWII dinar (1941-1944) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | СРПСКА НАРОДНА БАНКА CTO ДИНАРА СРПСКИХ БЕОГРАД, 1. МАЈ 1941 СРПСКА НАРОДНА БАНКА Фалсификовање новчаница казни се по прописима кривичног законика који вреде за кривице због прављења лажног новца G. FRAIPONT FEC. E. DELOCHE SC. (Translation: SERBIAN NATIONAL BANK ONE HUNDRED SERBIAN DINARS BELGRADE, MAY 1, 1941 SERBIAN NATIONAL BANK Forgery of banknotes shall be punished according to the regulations of the Criminal Code applicable to offences of counterfeiting money) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait watermark of King Alexander I of Yugoslavia (reigned 1929–1934) |
| Varianten | Log in om details te zien |
| Opmerkingen |
This note was issued under the German-backed puppet administration installed after the April 1941 invasion and rapid collapse of Yugoslavia. The Serbian National Bank continued to function under occupation, but its emissions from this period were tightly controlled by German military authorities, who used the local currency apparatus partly to extract resources from Serbia through occupation costs levied on the population.
The plate design predates the occupation — Fraipont's work and Deloche's engraving were carried over from earlier interwar emissions, which is why the note looks institutionally continuous with pre-war Serbian issues despite the radically different political circumstances of its production at ZIN.