Catalogus
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| Uitgever | Empire of China |
|---|---|
| Jaar | 1242-1252 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Central square hole (cash hole) surrounded by a plain inner rim, with four Chinese characters arranged in cruciform fashion reading top-to-bottom and right-to-left in Regular script (Kaishu): 淳、祐、通、寶 (Chunyou Tongbao). The characters are rendered in a bold, well-defined style typical of Southern Song dynasty cash coinage, set within a broad, slightly raised flat field. The outer rim is plain and moderately wide. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Chinese (traditional, regular script) |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The Chunyou Tongbao series was issued under Emperor Lizong of the Southern Song dynasty, whose reign was increasingly defined by military pressure from the Mongols advancing under Ögedei Khan and later Möngke Khan. Large-denomination cash coins of this period reflect the dynasty's chronic fiscal strain — the Southern Song relied heavily on paper money, and bronze issues were often minted to shore up confidence in a currency system already showing serious cracks.
The "small size" designation within the 100-cash type distinguishes this from larger module variants catalogued separately by Hartill. Schjoth 1022 is among the more frequently encountered references for the type, though genuine Song-period examples still require careful scrutiny against later cast imitations.