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10 Pesos Uruguayos
| Emittent | Banco Central del Uruguay |
|---|---|
| Jahr | 1998 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Peso uruguayo (1993-date) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Portrait vignette of Eduardo Acevedo Vásquez occupies the right portion of the face against a fine multicolour guilloche underprint, with the national coat of arms positioned to the left above the watermark zone. Denomination and issuing authority are printed in intaglio lettering, with the numeral 10 rendered in large figures in the lower corners. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The neoclassical Facultad de Agronomia building is rendered in intaglio at the centre-left of the reverse, framed by trees within an intricate guilloche border in tones of blue and red. To the right, an open book encircled by a laurel-and-palm wreath forms the principal allegorical motif, with the denomination DIEZ set in large intaglio numerals below within an ornate cartouche. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The 10 Pesos Uruguayos series issued under Pick 81 came out as Uruguay was still rebuilding credibility after the brutal financial turbulence of the 1980s debt crisis, which had forced a currency reform and the introduction of the "Peso Uruguayo" denomination structure in 1993. Thomas De La Rue's involvement was typical for Banco Central issues of this period — Uruguay consistently contracted London printers rather than developing domestic security printing capacity.
Watermark-only security on a late-1990s issue is notably sparse by contemporary standards, as intaglio and security threads were already standard on higher denominations in the same series.