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10 Patacas Banco Nacional Ultramarino
| Emittent | Banco Nacional Ultramarino |
|---|---|
| Jahr | 1945 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | 148 x 80 mm |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Printed in brown-orange on an intricate guilloche underprint, the obverse carries the bank title in both Portuguese and Chinese characters along the upper border. A vignette at right depicts a traditional Chinese gateway or ceremonial arch set against a backdrop of foliage, rendered in fine intaglio line work. The large Chinese characters for ten patacas (圓拾) dominate the centre, flanked by the denomination numeral 10 in the corners, with the date, decree reference, and two manuscript signatures of bank officials printed below. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Banco Nacional Ultramarino issued this Macau note under wartime conditions that had effectively isolated the territory from normal colonial administration. Portugal's neutrality kept Macau technically outside the conflict, but Japanese military pressure throughout the early 1940s severely disrupted trade and currency supply. The 1945 date places this note at the very end of that compressed, anxious period — before the post-war restructuring of Portuguese colonial monetary policy began in earnest.
Waterlow & Sons produced the plate work in London. Macau's small circulation figures for this series mean that notes which did circulate absorbed wear quickly, while reserves were often damaged by the territory's humid subtropical climate.