カタログ
| 発行体 | San Marino |
|---|---|
| 年号 | 1931 |
| 種類 | Coin pattern |
| 額面 | 10 Lire (10 SML) |
| 通貨 | Lira (1864-2001) |
| 材質 | Silver |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | |
| 彫刻師 | Enrico Saroldi |
| 流通終了年 | |
| 参考文献 | KM#Pr3 |
| 表面の説明 | Bust of St. Agatha with sword and crown |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
IUSTITIA SUPREMA LEX ESTO (Translation: Justice must be the supreme law) |
| 裏面の説明 | Coat of arms crowned on fasces |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | REPVBBLICA DI·S·MARINO L. 10 |
| 縁 | |
| 鋳造所 |
R Rome, Italy (476-date) |
| 鋳造数 |
1931 R - - |
| Numisquare ID | 1561086530 |
| 追加情報 |
Historical Context: The 1931 10 Lire Prova from San Marino emerges during a complex interwar period. As an independent republic, San Marino maintained close ties with Fascist Italy, heavily influencing its monetary policy and design choices. The issuance of a 'Prova' (pattern or proof) coin indicates a period of design experimentation or consideration for new coinage, likely mirroring contemporary Italian efforts. This year marks an era of economic uncertainty and political shifts, making such trial strikes significant markers of monetary planning.
Artistry: While the specific engraver for this Prova may vary, designs from this period for San Marino often reflect the influence of prominent Italian medallists like Giuseppe Romagnoli, known for his classical yet robust style. The artistic school typically blends neoclassical elements with a nascent Art Deco sensibility, emphasizing strong lines and allegorical figures. Common motifs include the iconic Three Towers or personifications of Liberty, rendered with a dignified, sculptural quality, indicative of the era's preference for symbolic representation.
Technical/Grading: As a 'Prova' strike, this silver 10 Lire coin would typically exhibit superior strike quality compared to circulation issues. High points, depending on the specific design, often include intricate details of allegorical hair, facial features, or architectural elements of the Three Towers. Collectors should seek full, crisp details across all design elements, a strong, even strike, and a well-preserved surface, often with a proof-like finish. Weakness in strike or significant planchet flaws would be unusual for a coin of this experimental nature, intended to showcase production.