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10 Krónur
| Emittent | Seðlabanki Íslands (Central Bank of Iceland) |
|---|---|
| Jahr | 1981-1986 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | 1 June 2007 |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Blue intaglio print over an orange, green, and brown multicolour underprint. The portrait vignette of scholar Arngrímur Jónsson lærði, shown with a book, is positioned to the right of centre. Serial numbers appear in black at upper left and in red at lower right, with the denomination numeral '10' in each lower corner. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Printed in blue intaglio on white paper, the reverse carries two vignettes: at left, a traditional Icelandic domestic interior scene with several figures engaged in reading and needlework around a central seated reader; at right, a standing figure in conversation with a seated woman. The lower foreground displays carved wooden household objects, a decorated chest, a barrel, and traditional ceramics, with the denomination numeral '10' at lower left and upper right. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Bradbury Wilkinson printed this series for Iceland through much of the postwar period, and by the time P#48 entered circulation the partnership was well-established — the New Malden press had handled Icelandic currency commissions since at least the 1960s. The dual designer credit, pairing local artist Kristín Þorkelsdóttir with Bradbury Wilkinson's in-house engraver Stephen Alan Fairbairn, was a common arrangement: Icelandic cultural input on imagery, British technical execution on the plate.
The watermark is the sole security feature, modest even by the standards of the era.