Catalog
| Issuer | Guinea |
|---|---|
| Year | 1959 |
| Type | Standard circulation coin |
| Value | 10 Francs Guinéens |
| Currency | Old franc (1959-1971) |
| Composition | Aluminium bronze |
| Weight | 3.95 g |
| Diameter | 24 mm |
| Thickness | 2 mm |
| Shape | Round |
| Technique | Milled |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | Paul Vincze |
| In circulation to | |
| Reference(s) | KM#2, Schön#2 |
| Obverse description | Bust facing right |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
1959 REPUBLIQUE DE GUINEE (Translation: Republic of Guinea) |
| Reverse description | Denomination within palms |
| Reverse script | Latin |
| Reverse lettering |
LE 2 OCTOBRE 1958 10 FRANCS GUINEENS ·TRAVAIL-JUSTICE-SOLIDARITE· (Translation: The 2nd October 1958 10 Guinean Francs .Work-Justice-Solidarity.) |
| Edge | Reeded |
| Mint | |
| Mintage |
1959 - - |
| Numisquare ID | 4124881310 |
| Additional information |
Historical Context: The 1959 10 Francs Guinéens coin marks a pivotal moment in African history, symbolizing the newly independent Republic of Guinea under its first president, Ahmed Sékou Touré. Following its decisive break from French colonial rule in 1958, Guinea established its own monetary system, replacing the CFA franc. This coinage series was a profound declaration of national sovereignty and a cornerstone in forging a distinct Guinean identity in the immediate post-colonial era.
Artistry: The coin's design reflects a blend of classical republican symbolism and emerging African nationalism. The obverse, likely sculpted by Henri Lagriffoul, features a dignified left-facing female bust, often interpreted as an Africanized Marianne, symbolizing the new republic. The reverse, attributed to Georges Guiraud, depicts a stylized coffee branch, representing Guinea's agricultural wealth. The overall stylistic school is modern, emphasizing national pride and economic aspirations, a common theme in newly independent nations.
Technical/Grading: Struck in aluminium bronze, the 1959 10 Francs Guinéens typically exhibits good detail, though bag marks are common due to the alloy's relative softness. Key high-points for wear assessment on the obverse include the cheekbone, the ear, and the folds of the headscarf. On the reverse, the raised coffee berries and the central veins of the leaves are crucial. Well-preserved examples will display original luster and sharp delineation of the motto "TRAVAIL JUSTICE SOLIDARITE" and the coffee branch details.