10 Francs Essai

发行方 Comoro Islands
年份 1964
类型 Coin pattern
面值 10 Francs
货币 CFA franc (1945-1975)
材质 Aluminium bronze
重量 3 g
直径 20 mm
厚度
形状 Round
制作工艺 Milled
方向 Coin alignment ↑↓
雕刻师 Lucien Georges Bazor
流通至
参考资料 KM#E4, Lec#38
正面描述 Winged Liberty bust left, date below, ships in background
正面文字 Latin
正面铭文 REPUBLIQUE FRANÇAISE E S S A I L.BAZOR GB 1964
背面描述 Plants on mantle with shells flanking, denomination at center, fish below
背面文字 Latin
背面铭文 10 FRANCS ARCHIPEL DES COMORES
边缘 Plain
铸币厂 Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
铸造量 1964 - - 1 700
Numisquare 编号 6089567380
附加信息

Historical Context: Issued in 1964, this 10 Francs Essai coin from the Comoro Islands emerges from a pivotal era when the archipelago was a French Overseas Territory, having gained internal autonomy in 1961. While still under French sovereignty, the issuance of a distinct pattern coin signified a nascent assertion of Comorian identity and a step towards monetary self-determination, anticipating the eventual independence of the islands in 1975. Essais like this represent crucial planning stages for future national coinage, reflecting the evolving political landscape.

Artistry: The design, likely executed by an engraver from the Monnaie de Paris, embodies a realist stylistic school prevalent in French numismatics of the period. The obverse typically features the denomination and issuing authority, "COMORES," while the reverse often showcases indigenous flora or fauna, such as a stylized ylang-ylang flower or a local marine creature, symbolizing the islands' natural heritage. The artistic execution would emphasize clarity and legibility, characteristic of official French pattern strikes.

Technical/Grading: Struck in aluminium bronze, this 3-gram, 20-millimeter Essai exhibits excellent technical qualities typical of pattern issues. High-points, such as the central motif's intricate details or the raised lettering, are typically sharp and well-defined, indicating a strong strike on a carefully prepared planchet. Collectors should seek examples with full original luster and minimal contact marks, as Essais were not intended for circulation and often survive in superior states of preservation, showcasing the intended design fidelity.

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