10 Francs CFA Essai

Đơn vị phát hành Western African States
Năm 1959
Loại Coin pattern
Mệnh giá 10 Francs CFA
Tiền tệ CFA franc (1958-date)
Chất liệu Aluminium bronze
Trọng lượng 4 g
Đường kính 23.5 mm
Độ dày 1.54 mm
Hình dạng Round
Kỹ thuật Milled
Hướng Coin alignment ↑↓
Nghệ nhân khắc Gabriel Bernard, Lucien Bazor
Lưu hành đến
Tài liệu tham khảo KM#E1
Mô tả mặt trước Denomination
Chữ viết mặt trước Latin
Chữ khắc mặt trước 10 FRANCS BANQUE CENTRALE ETATS DE L`AFRIQUE DE L`OUEST ESSAI
(Translation: Central Bank of [the] West African States Trial)
Mô tả mặt sau Gazelle
Chữ viết mặt sau Latin
Chữ khắc mặt sau G.B.L.BAZOR 1959
Cạnh Smooth
Xưởng đúc Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Số lượng đúc 1959 - -
ID Numisquare 3693659040
Thông tin bổ sung

Historical Context: The 1959 10 Francs CFA Essai from the Western African States emerges from a critical juncture in African history. This era marked the rapid decolonization of French West Africa and the dissolution of the French Community, preceding the full independence of numerous nations. As an experimental coinage, this Essai signifies the transitional economic and political landscape, reflecting aspirations for monetary autonomy and distinct national identities within the evolving Communauté Financière Africaine framework.

Artistry: While the specific engraver of this Essai is unrecorded, its design likely originated from the Monnaie de Paris, following a post-colonial academic stylistic school. Common motifs for CFA coinage often featured allegorical representations of agriculture, industry, or indigenous fauna, such as the iconic gazelle head. As an Essai, it probably explored a new design concept or refined existing themes, aiming to encapsulate the region's burgeoning identity and economic potential through symbolic imagery.

Technical/Grading: Struck in aluminium bronze (4g, 23.5mm), this Essai typically exhibits superior strike quality, characteristic of trial pieces. Key high-points for wear or strike weakness generally include the highest relief elements of any allegorical figures, animal features (e.g., gazelle horns), or intricate agricultural motifs. A well-preserved example should display full design detail, sharp edges, and a strong, original luster, indicative of a meticulously produced specimen intended to test new monetary specifications.

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