10 Francs CFA Essai

Émetteur Western African States
Année 1959
Type Coin pattern
Valeur 10 Francs CFA
Devise CFA franc (1958-date)
Composition Aluminium bronze
Poids 4 g
Diamètre 23.5 mm
Épaisseur 1.54 mm
Forme Round
Technique Milled
Orientation Coin alignment ↑↓
Graveur(s) Gabriel Bernard, Lucien Bazor
En circulation jusqu’à
Référence(s) KM#E1
Description de l’avers Denomination
Écriture de l’avers Latin
Légende de l’avers 10 FRANCS BANQUE CENTRALE ETATS DE L`AFRIQUE DE L`OUEST ESSAI
(Translation: Central Bank of [the] West African States Trial)
Description du revers Gazelle
Écriture du revers Latin
Légende du revers G.B.L.BAZOR 1959
Tranche Smooth
Atelier Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Tirage 1959 - -
ID Numisquare 3693659040
Informations supplémentaires

Historical Context: The 1959 10 Francs CFA Essai from the Western African States emerges from a critical juncture in African history. This era marked the rapid decolonization of French West Africa and the dissolution of the French Community, preceding the full independence of numerous nations. As an experimental coinage, this Essai signifies the transitional economic and political landscape, reflecting aspirations for monetary autonomy and distinct national identities within the evolving Communauté Financière Africaine framework.

Artistry: While the specific engraver of this Essai is unrecorded, its design likely originated from the Monnaie de Paris, following a post-colonial academic stylistic school. Common motifs for CFA coinage often featured allegorical representations of agriculture, industry, or indigenous fauna, such as the iconic gazelle head. As an Essai, it probably explored a new design concept or refined existing themes, aiming to encapsulate the region's burgeoning identity and economic potential through symbolic imagery.

Technical/Grading: Struck in aluminium bronze (4g, 23.5mm), this Essai typically exhibits superior strike quality, characteristic of trial pieces. Key high-points for wear or strike weakness generally include the highest relief elements of any allegorical figures, animal features (e.g., gazelle horns), or intricate agricultural motifs. A well-preserved example should display full design detail, sharp edges, and a strong, original luster, indicative of a meticulously produced specimen intended to test new monetary specifications.

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