Catalog
| Issuer | Western African States |
|---|---|
| Year | 1959 |
| Type | Coin pattern |
| Value | 10 Francs CFA |
| Currency | CFA franc (1958-date) |
| Composition | Aluminium bronze |
| Weight | 4 g |
| Diameter | 23.5 mm |
| Thickness | 1.54 mm |
| Shape | Round |
| Technique | Milled |
| Orientation | Coin alignment ↑↓ |
| Engraver(s) | Gabriel Bernard, Lucien Bazor |
| In circulation to | |
| Reference(s) | KM#E1 |
| Obverse description | Denomination |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
10 FRANCS BANQUE CENTRALE ETATS DE L`AFRIQUE DE L`OUEST ESSAI (Translation: Central Bank of [the] West African States Trial) |
| Reverse description | Gazelle |
| Reverse script | Latin |
| Reverse lettering | G.B.L.BAZOR 1959 |
| Edge | Smooth |
| Mint |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| Mintage |
1959 - - |
| Numisquare ID | 3693659040 |
| Additional information |
Historical Context: The 1959 10 Francs CFA Essai from the Western African States emerges from a critical juncture in African history. This era marked the rapid decolonization of French West Africa and the dissolution of the French Community, preceding the full independence of numerous nations. As an experimental coinage, this Essai signifies the transitional economic and political landscape, reflecting aspirations for monetary autonomy and distinct national identities within the evolving Communauté Financière Africaine framework.
Artistry: While the specific engraver of this Essai is unrecorded, its design likely originated from the Monnaie de Paris, following a post-colonial academic stylistic school. Common motifs for CFA coinage often featured allegorical representations of agriculture, industry, or indigenous fauna, such as the iconic gazelle head. As an Essai, it probably explored a new design concept or refined existing themes, aiming to encapsulate the region's burgeoning identity and economic potential through symbolic imagery.
Technical/Grading: Struck in aluminium bronze (4g, 23.5mm), this Essai typically exhibits superior strike quality, characteristic of trial pieces. Key high-points for wear or strike weakness generally include the highest relief elements of any allegorical figures, animal features (e.g., gazelle horns), or intricate agricultural motifs. A well-preserved example should display full design detail, sharp edges, and a strong, original luster, indicative of a meticulously produced specimen intended to test new monetary specifications.