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10 Francs - Berlioz type 1972
| Uitgever | Banque de France |
|---|---|
| Jaar | 1972-1978 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | To the left, an intaglio vignette of Hector Berlioz holding a guitar, with the Villa Medici in Rome rendered as a background scene in fine engraved line work. The reverse carries the standard anti-counterfeiting legal warning text and the issuer name BANQUE DE FRANCE, with the numeral 10 appearing twice. |
| Opschrift keerzijde | 10 10 L`ARTICLE 139 DU CODE PENAL PUNIT DE LA RECLUSION CRIMINELLE A PERPETUITE CEUX QUI AURONT CONTREFAIT OU FALSIFIE DES BILLETS DE BANQUE AUTORISES PAR LA LOI, AINSI QUE CEUX QUI AURONT FAIT USAGE DE CES BILLETS CONTREFAITS OU FALSIFIES. CEUX QUI LES AURONT INTRODUITS EN FRANCE SERONT PUNIS DE LA MÊME PEINE. BANQUE DE FRANCE (Translation: Article 139 of the Penal Code punishes with life imprisonment those who counterfeit or falsify banknotes authorized by the law, also those who pass counterfeit or falsified notes. Those who introduce them into France will receive the same punishment. Bank of France) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Berlioz 10 Francs replaced the Voltaire type in 1972 and ran until the note was demonetized in 1984. Three distinct signature combinations across the series — Vergnes giving way to Tronche in early 1975, then Strohl replacing Morant at the start of 1976 — make date-signature pairings a minor collecting discipline in themselves. The Strohl/Bouchet/Tronche run accounts for most surviving examples given its longer production window.
Fontanarosa designed and Jubert engraved the face; Renaud handled the reverse intaglio work. French banknote production of this period maintained strict in-house engraving through the Imprimerie de la Banque de France at Chamalières, which opened in 1970 specifically to consolidate printing operations previously split across Paris and Vic-le-Comte.