Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Austrian Mint (Münze Österreich) |
|---|---|
| Year | 2018 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Helmut Andexlinger, Herbert Wähner |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | A frontal depiction of the archangel Raphael dominates the reverse, portrayed as a long-haired figure draped in an ornate cape fastened with a decorative brooch at the chest. An elaborate and highly stylised halo or aureole of radiating feathered wings fans outward behind the angel's head, filling the upper field with intricate detail. A vertical architectural or ladder-like element is visible along the left field, reinforcing the heavenly iconography. The overall composition is rendered in high relief with exceptional detail, reflecting the fine artistic standards of the Austrian Mint's commemorative series. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Segmented reeded |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
The "Heavenly Messengers" series ran for three years, with Raphael completing the archangel trilogy following Michael (2016) and Gabriel (2017). Austrian base-metal collector issues of this type are struck in niobium-centered bimetallic formats for premium releases, but the straight copper format here places this squarely in the lower-tier commemorative bracket — mass-produced, broadly distributed, and not subject to mintage constraints that might otherwise create scarcity. Raphael's association with healing derives primarily from the deuterocanonical Book of Tobit, where he accompanies Tobias and cures his father's blindness.