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| 表面の説明 | ログイン して詳細を見る |
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| 裏面の説明 | A standing figure of St. Martin the Bishop occupies the central field, flanked by four additional saintly figures in a procession-like arrangement; a goose is depicted at lower left, referencing the iconographic tradition of St. Martin. Above, a radiant sun partially obscured by clouds illuminates the scene from the upper register. The peripheral Latin legend names the saints depicted, recording their feast of translation: SS. Martin, Vincent the Martyr, Hermes the Martyr, Chrysanthus and Daria the Martyrs. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | SS MARTIN9 EP : VINCEN-TI9 M : HERMES M : CHRY-SANTH9 ET DARIA M M : TRANS-LATI |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Max Gandolf von Kuenburg ruled the Archbishopric of Salzburg from 1668 until his death in 1687, presiding over a period of aggressive Catholic consolidation. In 1684 — just two years after this piece was struck — he ordered the expulsion of over a thousand Protestant miners and farmers from the Defereggental, one of the more brutal confessional purges in the region's history. The multi-ducat series issued under his tenure were almost certainly presentation pieces, struck for diplomatic gift-giving rather than any commercial function.
Salzburg's mint had access to substantial Tyrolean gold supplies, which accounts for the high fineness maintained across these large-format strikes.