Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos oder mit E-Mail registrieren

10 Dollars Silver Proof Issue

Emittent Trinidad and Tobago
Jahr 1976-1980
Typ Anmelden um Details zu sehen
Nennwert Anmelden um Details zu sehen
Währung Anmelden um Details zu sehen
Material Silver (.925)
Gewicht Anmelden um Details zu sehen
Durchmesser Anmelden um Details zu sehen
Dicke Anmelden um Details zu sehen
Form Anmelden um Details zu sehen
Prägetechnik Anmelden um Details zu sehen
Ausrichtung Anmelden um Details zu sehen
Stempelschneider Anmelden um Details zu sehen
Im Umlauf bis Anmelden um Details zu sehen
Referenz(en) Anmelden um Details zu sehen
Aversbeschreibung Anmelden um Details zu sehen
Aversschrift Latin
Averslegende Anmelden um Details zu sehen
Reversbeschreibung A detailed cartographic rendering of the islands of Trinidad and Tobago occupies the central field, flanked by a swordfish to the left and a dolphin to the right, with a sailing vessel depicted between them, all set above stylized ocean waves. The island names TRINIDAD and TOBAGO are inscribed in the upper field flanking the map composition. The denomination 10 DOLLARS is presented in bold lettering along the lower periphery, below the wave motif.
Reversschrift Anmelden um Details zu sehen
Reverslegende Anmelden um Details zu sehen
Rand Anmelden um Details zu sehen
Prägestätte Anmelden um Details zu sehen
Auflage Anmelden um Details zu sehen
Zusätzliche Informationen

Trinidad and Tobago's silver proof issues of this period were tied directly to the oil boom that followed the 1973 OPEC crisis — the country's petroleum revenues surged so dramatically through the mid-to-late 1970s that the government had both the foreign exchange reserves and the institutional appetite to commission prestige numismatic products for the international collector market. The Franklin Mint held the contract for much of this output.

The .925 standard was chosen to align with established international proof coin conventions, making the series more marketable abroad than domestically, where these pieces saw no meaningful circulation.