10 Dinars

Emittente	Central Bank of Libya
Anno	1989
Tipo	Accedi per vedere i dettagli
Valore	Accedi per vedere i dettagli
Valuta	Accedi per vedere i dettagli
Composizione	Accedi per vedere i dettagli
Dimensioni	Accedi per vedere i dettagli
Forma	Accedi per vedere i dettagli
Stampatore	Thomas De La Rue & Company, London, United Kingdom
Disegnatore/i	Accedi per vedere i dettagli
Incisore/i	Accedi per vedere i dettagli
In circolazione fino al	Accedi per vedere i dettagli
Riferimento/i	Accedi per vedere i dettagli

Descrizione del dritto	Intaglio portrait vignette of Omar el-Mukhtar, the Libyan resistance leader, at left centre, set against an intricate geometric Islamic guilloche underprint in green tones. The denomination numeral "10" appears in a dark rosette at lower left, with Arabic inscriptions of the bank name and legal tender clause occupying the right half of the note. A quotation in Arabic script is inscribed below the portrait, and the serial number is printed twice in black.
Legenda del dritto	Accedi per vedere i dettagli
Descrizione del rovescio	Central vignette of a large crowd assembled before a hilltop fortress, rendered in fine intaglio line work against a multicolour geometric Islamic guilloche underprint in green, yellow, and blue. The bank name in large Arabic script runs across the top, with the denomination "10" in a dark octagonal medallion at upper right and a second medallion at lower left. The Arabic legend "إعلان سلطة الشعب" appears superimposed over the crowd scene.
Legenda del rovescio	Accedi per vedere i dettagli
Firma/e	Accedi per vedere i dettagli
Tipo di protezione	Accedi per vedere i dettagli
Descrizione della protezione	Accedi per vedere i dettagli
Varianti	Accedi per vedere i dettagli
Commenti	Libya's 1989 series was produced under the Gaddafi government during a period when the country remained under escalating Western sanctions following the 1986 U.S. airstrikes. That the regime continued contracting Thomas De La Rue — a British firm — for banknote production into the late 1980s reflects the patchwork nature of those sanctions, which targeted Libyan state assets and oil revenues but left room for commercial printing contracts. The watermark security on P#56 is modest by De La Rue's own standards for the period. Counterfeiting pressure on Libyan currency was not the primary concern driving security choices here — import restrictions on printing equipment within Libya itself made domestic production impractical.