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| Emittent | Banco de Portugal |
|---|---|
| Jahr | 1910 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | P#12 |
| Vorderseitenbeschreibung | This note is an overprint on the Portuguese Banco de Portugal P#108 issue, adapted for Azorean circulation. The central vignette presents five male allegorical figures personifying the arts and sciences — Sculpture, Painting, Reading, Music, and Writing — rendered in intaglio. The serial number appears at the upper left, with the Açores overprint and island currency inscriptions applied in letterpress. |
|---|---|
| Vorderseitenlegende | AÇÔRES BANCO DE PORTUGAL 10.000 OURO MOEDA INSULANA Pagável nas Agências dos Açôres Lisboa, 30 de Setembro de 1910 DEZ MIL REIS (Translation: Azores Bank of Portugal 10 000 Gold Island Currency Payable in Azores agencies Lisbon, September 30, 1910 Ten Thousand Reis) |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
This note was issued in the final year of the Portuguese constitutional monarchy — Dom Manuel II was deposed by the republican revolution of 5 October 1910, just months after notes of this series entered circulation. Whether a given example predates or postdates the revolution by weeks is impossible to determine from the note alone, since the Banco de Portugal continued operating through the regime change without interruption.
Printing in-house at the Estamparia do Banco de Portugal was a deliberate policy choice, avoiding the foreign security printers — Waterlow, Bradbury Wilkinson — that many contemporary central banks depended on.