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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central cross pattée rendered in a highly stylized and degenerate fashion, flanked by two annulets or circular pellet groups in the field, the whole encircled by a beaded border. The design is characteristic of late Lombard tremisses, where the reverse cross motif — ultimately derived from Byzantine prototypes — has been reduced to a schematic, almost abstract form. A degenerate pseudo-legend of degraded Latin letterforms surrounds the central device, no longer legible as a coherent inscription. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The tremissis was the workhorse denomination of late antique gold coinage, a one-third solidus that persisted through the collapse of imperial authority in the West and into the hands of successor states and regional powers. Tuscany's Lombard-period issues from this window are notoriously difficult to attribute with confidence — the "torso with ten sections" type sits in a contested space between Byzantine imitative coinage and genuinely autonomous Lombard production, with scholars still divided on whether these pieces reflect a functioning fiscal administration or opportunistic local striking.