1 Tremissis - Theudebert I Aosta; Moneyer Betto

发行方
年份 540-548
类型 Standard circulation coin
面值 1 Tremissis (⅓)
货币 Tremissis (476-670)
材质 Gold
重量 1.28 g
直径
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Variable alignment ↺
雕刻师
流通至
参考资料 Belfort#570, Prou Mer#1655
正面描述 Pearl-diademed, draped and cuirassed bust facing right.
正面文字 Latin
正面铭文 BETTO MVNITAR
背面描述 Large cross.
背面文字 Latin
背面铭文 AVSTA CIVITAT EICIT
边缘
铸币厂 Aosta, Italy (5th century-1600)
铸造量 ND (540-548)
Numisquare 编号 1599583330
附加信息

Historical Context: This 1 Tremissis was issued during the reign of Theudebert I, King of the Franks (534-548), a period of significant Frankish expansion and consolidation of power in post-Roman Gaul. Theudebert was a formidable ruler, extending Frankish influence into Italy and Bavaria. The issuance of this coin from Aosta, a strategically vital Alpine city, signifies the firm establishment of Merovingian authority in a region formerly under Ostrogothic control. Such gold tremisses were crucial for high-value transactions and demonstrated the Frankish kingdom's economic sovereignty and growing prestige in early medieval Europe.

Artistry: The artistry of this tremissis, struck by the moneyer Betto in Aosta, reflects the evolving Merovingian stylistic school. While still drawing inspiration from late Roman and Byzantine prototypes, the design exhibits a distinct move towards abstraction and schematization. The obverse typically features a simplified, diademed bust, often highly stylized and less naturalistic than its classical predecessors. The reverse commonly displays a cross, frequently set on steps or within a wreath, surrounded by often-blundered or abbreviated legends. This blend of traditional motifs with emerging Germanic aesthetics defines the numismatic art of the period.

Technical/Grading: Struck in gold with a weight of 1.28 grams, typical for a tremissis, this coin exhibits characteristic Merovingian technical qualities. The strike is often variable, potentially leading to areas of flatness, particularly on high-points such as the ruler's diadem, hair, or the central elements of the cross. The flan itself may be irregular or slightly off-center, a common feature of early medieval minting. Critical areas for grading include the clarity of the legends, the definition of the bust features, and the integrity of the cross design. The overall preservation of the planchet and any evidence of die wear are also important considerations.

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