1 Tremissis - Theudebert I Aosta; Moneyer Betto

صادرکننده
سال 540-548
نوع Standard circulation coin
ارزش 1 Tremissis (⅓)
واحد پول Tremissis (476-670)
ترکیب Gold
وزن 1.28 g
قطر
ضخامت
شکل Round (irregular)
تکنیک Hammered
جهت Variable alignment ↺
حکاک(ها)
در گردش تا
مرجع(ها) Belfort#570, Prou Mer#1655
توضیحات روی سکه Pearl-diademed, draped and cuirassed bust facing right.
خط روی سکه Latin
نوشته‌های روی سکه BETTO MVNITAR
توضیحات پشت سکه Large cross.
خط پشت سکه Latin
نوشته‌های پشت سکه AVSTA CIVITAT EICIT
لبه
ضرابخانه Aosta, Italy (5th century-1600)
تیراژ ضرب ND (540-548)
شناسه Numisquare 1599583330
اطلاعات تکمیلی

Historical Context: This 1 Tremissis was issued during the reign of Theudebert I, King of the Franks (534-548), a period of significant Frankish expansion and consolidation of power in post-Roman Gaul. Theudebert was a formidable ruler, extending Frankish influence into Italy and Bavaria. The issuance of this coin from Aosta, a strategically vital Alpine city, signifies the firm establishment of Merovingian authority in a region formerly under Ostrogothic control. Such gold tremisses were crucial for high-value transactions and demonstrated the Frankish kingdom's economic sovereignty and growing prestige in early medieval Europe.

Artistry: The artistry of this tremissis, struck by the moneyer Betto in Aosta, reflects the evolving Merovingian stylistic school. While still drawing inspiration from late Roman and Byzantine prototypes, the design exhibits a distinct move towards abstraction and schematization. The obverse typically features a simplified, diademed bust, often highly stylized and less naturalistic than its classical predecessors. The reverse commonly displays a cross, frequently set on steps or within a wreath, surrounded by often-blundered or abbreviated legends. This blend of traditional motifs with emerging Germanic aesthetics defines the numismatic art of the period.

Technical/Grading: Struck in gold with a weight of 1.28 grams, typical for a tremissis, this coin exhibits characteristic Merovingian technical qualities. The strike is often variable, potentially leading to areas of flatness, particularly on high-points such as the ruler's diadem, hair, or the central elements of the cross. The flan itself may be irregular or slightly off-center, a common feature of early medieval minting. Critical areas for grading include the clarity of the legends, the definition of the bust features, and the integrity of the cross design. The overall preservation of the planchet and any evidence of die wear are also important considerations.

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