Catalogue
| Émetteur | Malay peninsula |
|---|---|
| Année | |
| Type | Standard circulation coin |
| Valeur | |
| Devise | |
| Composition | Tin |
| Poids | 9.51 g |
| Diamètre | |
| Épaisseur | 3.3 mm |
| Forme | Oval |
| Technique | |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Five - pointed increase in the mid of the coin |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | A sitting Buddha statue and Chinese letterings at both sides (left and right) - both incuse |
| Écriture du revers | |
| Légende du revers | |
| Tranche | Plain |
| Atelier | |
| Tirage |
ND - 7th - 14th century - |
| ID Numisquare | 8585256680 |
| Informations supplémentaires |
Historical Context: This 1 Tin Coin originates from the Malay Peninsula, a region pivotal in global trade during the 17th to 19th centuries. Issued by various local Sultanates, such as Johor or Kedah, these tin denominations were crucial for daily commerce, complementing foreign silver and gold. Tin's abundance made it a practical choice for local currency, reflecting the economic autonomy of these polities and their integral role in regional trade networks.
Artistry: The artistry of Malay tin coinage typically reflects indigenous craftsmanship and Islamic influence. While engravers are usually anonymous, the stylistic school is distinctly local Malay, prioritizing functional legibility over elaborate detail. Designs often feature Arabic script, proclaiming the ruler's name or a religious invocation, sometimes accompanied by simple geometric patterns or stylized local motifs. This pragmatic aesthetic, adapted to local minting limitations, often resulted in rustic charm.
Technical/Grading: Weighing 9.51 grams, this tin coin exemplifies its production challenges. Tin, a soft metal, is prone to rapid wear and often exhibits casting flaws or irregular planchets, common for early regional issues. High-points, such as the apex of raised Arabic script or edges of geometric designs, are typically the first areas to show significant abrasion. Strike quality is generally inconsistent; coins often present with weak strikes, off-center impressions, or uneven surfaces, reflecting rudimentary hand-striking or casting.