| Émetteur | Donauwörth, Free imperial city of |
|---|---|
| Année | 1548 |
| Type | Coin pattern |
| Valeur | 1 Thaler |
| Devise | Thaler |
| Composition | Tin |
| Poids | 24.96 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | City arms, date at end of legend. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | * MO * NO * ARGE * CIVI * SVE * WERDA * 48 * W |
| Description du revers | 1/2-length crowned and armored figure to right, holding scepter over right shoulder, titles of Karl V. |
| Écriture du revers | Latin |
| Légende du revers | CAROLVS : V : ROMA : IMP : SEMP : AVG |
| Tranche | |
| Atelier | |
| Tirage |
1548 - - |
| ID Numisquare | 1420916970 |
| Informations supplémentaires |
Historical Context: The 1548 1 Thaler tin pattern strike from Donauwörth, a Free Imperial City, emerges from a turbulent era following the Schmalkaldic War. Facing Emperor Charles V's consolidating power, Donauwörth produced this pattern. It signifies the city's intent to mint a significant denomination, asserting its Münzrecht and economic autonomy. Such trial pieces were vital for presenting proposed designs for approval before costly silver production, reflecting a desire for stability and self-governance.
Artistry: While the engraver is unrecorded, the design would embody German Renaissance artistic conventions of the mid-16th century. The obverse would likely feature Donauwörth's civic emblem, such as an eagle or city gate, symbolizing its imperial immediacy. The reverse would typically display the Imperial Eagle, denoting its direct allegiance to the Emperor, with the date. As a pattern, the artistry would have been meticulously executed, showcasing the engraver's skill in rendering intricate details with clarity, intended to impress approving authorities.
Technical/Grading: This tin pattern strike, weighing 24.96 grams, would exhibit exceptional technical qualities. As a trial piece, it would feature a full, even strike, revealing the dies' full relief and sharpness across all design elements. High-points, such as the eagle's feathers or crown details, would be fully rendered and crisp. The use of tin, a softer metal, allowed for clear impressions from fresh dies, making it an ideal medium for showcasing the proposed design's intricate details for official review before silver production.