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1 Somoni
| Emittent | National Bank of Tajikistan |
|---|---|
| Jahr | 2000-2010 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Somoni (2000-date) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Central vignette of the National Bank of Tajikistan building in Dushanbe, rendered in a formal architectural style. The national flag of Tajikistan appears alongside the building. The overall colour scheme complements the obverse palette, with guilloche patterning framing the central design. |
| Rückseitenlegende | NATIONAL BANK OF TAJIKISTAN ONE SOMONİ БАРОИ ҚАЛБАКӢ СОХТАНИ БИЛЕТҲОИ БОНКИ МИЛЛИИ ТОҶИКИСТОН МУВОФИҚИ ҚОНУН ҶАЗО ДОДА МЕШОВАД (Translation: Counterfeit banknotes of the National Bank of Tajikistan shall be punished in accordance with the law) |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The somoni replaced the Tajik ruble in 2000 at a rate of 1000:1, a conversion necessitated by catastrophic inflation that had accumulated during the 1992–1997 civil war. By the time the new currency launched, the ruble had become so devalued that the 1-somoni note represented more purchasing power than entire bricks of its predecessor. The National Bank used the new series partly to symbolize post-war institutional rebuilding — the denomination name itself honors Ismoil Somoni, the 9th-century Samanid ruler claimed as a founding cultural figure of the Tajik nation.
The series ran across a notably long production window, and early versus late issues within the P#14 type show minor but detectable variations in print registration quality.