Katalog
| İhraççı | Fiji |
|---|---|
| Yıl | 1937 |
| Tür | Standard circulation coin |
| Değer | 1 Shilling (1/20) |
| Para birimi | Pound (1873-1969) |
| Bileşim | Silver (.500) |
| Ağırlık | 5.6552 g |
| Çap | 23.5 mm |
| Kalınlık | 1 mm |
| Şekil | Round |
| Teknik | Milled |
| Yönlendirme | Medal alignment ↑↑ |
| Gravürcü(ler) | Percy Metcalfe |
| Dolaşımda olduğu yıl | 30 June 1969 |
| Referans(lar) | KM#9 |
| Ön yüz açıklaması | Crowned bust of George VI facing left. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı | GEORGE VI KING EMPEROR |
| Arka yüz açıklaması | Outrigger divides dates, denomination above. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | SHILLING 19 37 FIJI |
| Kenar | |
| Darphane | |
| Basma adedi |
1937 - - 40 000 1937 - Proof - |
| Numisquare Kimliği | 4332851890 |
| Ek bilgiler |
Historical Context: This 1937 Fiji 1 Shilling coin marks an early numismatic issue from the reign of King George VI (1936-1952), following the abdication crisis of Edward VIII. As a British Crown Colony, Fiji’s coinage reflected the sovereign's effigy while incorporating distinct local iconography. The year 1937 represents the nascent period of George VI’s rule, a time of global economic recovery following the Great Depression, yet on the precipice of World War II, underscoring the enduring reach of the British Empire's currency system.
Artistry: The obverse features the bare head portrait of King George VI facing left, designed by Thomas Humphrey Paget. Paget's work is characteristic of the early 20th-century British medallic style, emphasizing realistic yet regal depiction. The reverse, specific to Fiji, depicts a traditional Fijian outrigger canoe (drua) with a distinctive sail, symbolizing the islands' maritime heritage and cultural identity. This ethnographic design element contrasts with the classical European portraiture, creating a unique colonial numismatic expression.
Technical/Grading: Struck in .500 fine silver with a weight of 5.6552 grams and a diameter of 23.5 mm, this coin exhibits typical characteristics of its era. Key high-points for grading on the obverse include the hair above the ear and the details of the earlobe. On the reverse, critical areas are the intricate rigging and sail of the canoe, along with the definition of the hull and water lines. Strong strikes will show sharp separation in these details, while weaker strikes may exhibit softness, particularly on the canoe's fine features.