کاتالوگ
| صادرکننده | Princely state of Hyderabad |
|---|---|
| سال | 1166 (1753) |
| نوع | Standard circulation coin |
| ارزش | 1 Rupee |
| واحد پول | Rupee (1762-1950) |
| ترکیب | Silver |
| وزن | 11.47 g |
| قطر | |
| ضخامت | |
| شکل | Round |
| تکنیک | Hammered |
| جهت | Variable alignment ↺ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | KM#2 |
| توضیحات روی سکه | Multi line Urdu lettering, citing ruler and date. |
|---|---|
| خط روی سکه | Urdu |
| نوشتههای روی سکه | |
| توضیحات پشت سکه | Urdu Lettering, multi line, with state and mint. |
| خط پشت سکه | Urdu |
| نوشتههای پشت سکه | |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب | 1166 (1753) - RY#4 |
| شناسه Numisquare | 5439582068 |
| اطلاعات تکمیلی |
Historical Context: This 1 Rupee, minted in Firoznagar in 1166 AH (1753 CE), is from the Princely State of Hyderabad. Bearing Shah Alam II's name, it reflects nominal Mughal suzerainty. Issued under Asaf Jah II, the second Nizam, it signifies Hyderabad's growing autonomy. This period marks a critical juncture, witnessing Mughal decline and the assertion of regional states, like Hyderabad, often maintaining symbolic imperial ties.
Artistry: The design adheres to the Indo-Islamic numismatic tradition, characterized by elegant Persian calligraphy over figural representation. The stylistic school is distinctly Mughal provincial, emphasizing clarity and aesthetic balance in the Nastaliq script. The obverse features Shah Alam II's name and titles. The reverse displays the mint name Firoznagar, the AH date 1166, and the julus formula, denoting the emperor's auspicious regnal year. Intricate script demands skilled die-cutting.
Technical/Grading: This 11.47-gram silver rupee exhibits typical 18th-century Indian minting. High-points for grading are the central calligraphic legends, especially the ruler's name and mint/date, which show wear first. Full, even strikes are uncommon; off-center strikes or weakness are frequent. Flans are typically broad, thin, and often irregular, with a plain edge. The "mm" (milled) specification refers to general production methods, not modern reeding.