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1 Rouble The Church of the Savior and Transfiguration
| Uitgever | National Bank of the Republic of Belarus |
|---|---|
| Jaar | 2003 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | 32 mm |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | РЭСПУБЛIКА БЕЛАРУСЬ 2003 АДЗIН РУБЕЛЬ |
| Beschrijving keerzijde | A detailed relief depiction of the Transfiguration Church (Spaso-Preobrazhenskaya Tserkva) in Polotsk, one of the finest surviving examples of 12th-century Polotsk architectural school, rendered in three-quarter perspective and occupying the right and lower portion of the field. To the upper left, a multi-line inscription identifies the series and subject. A Roman numeral 'XII' within an oval cartouche appears in the lower left field, referencing the church's 12th-century origins. The legends are arranged in the upper-left quadrant of the field. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Part of a long-running Belarusian series documenting Orthodox architectural heritage, this rouble commemorates the Church of the Savior and Transfiguration — one of several surviving examples of wooden ecclesiastical construction in the Polesye region. The National Bank of Belarus issued numerous copper-nickel collector roubles in the early 2000s at low mintage figures, largely targeting the domestic commemorative market rather than international collectors, which has kept secondary market prices modest despite genuine historical subject matter.