| Emisor | Canary Islands |
|---|---|
| Año | 1734 |
| Tipo | Emergency coin |
| Valor | 1 Real |
| Moneda | |
| Composición | Silver |
| Peso | |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Countermarked, Hammered |
| Orientación | Coin alignment ↑↓ |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) |
| Descripción del anverso | Crowned arms of Castile and Leon. Countermark lion with three legs. |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Crowned pillars. |
| Escritura del reverso | Latin |
| Leyenda del reverso |
PLVS VL (Translation: Further beyond.) |
| Canto | |
| Casa de moneda |
(Mo) Mexican Mint (Casa de Moneda de México), Mexico, Mexico (1535-date) |
| Tirada |
ND (1734) - - |
| ID de Numisquare | 1162179570 |
| Información adicional |
Historical Context: This 1 Real 'Bamba' represents a critical numismatic response to chronic currency shortages in the Canary Islands during the reign of Philip V (1700-1746), the first Bourbon king of Spain. The 'Bamba' countermark, applied in 1734, served to revalidate older, often worn, 1 Real coins of Charles I (Charles V, Holy Roman Emperor, 1516-1556) for local circulation. This emergency measure reflects the significant logistical challenges of supplying remote Spanish territories with new coinage, necessitating local authorization to maintain economic stability by asserting Philip V's authority over disparate older issues. The vast temporal gap between the original coin's minting and its revalidation underscores the pressing need for circulating medium.
Artistry: The artistic merit of this piece primarily resides in the host coin, a 1 Real of Charles I, which would exhibit typical early 16th-century Spanish Renaissance numismatic style, often featuring a crowned bust or a crowned shield with the Pillars of Hercules. However, the defining characteristic for this specific entry is the 'Bamba' countermark. This mark, usually a small, somewhat crude punch, was a functional rather than artistic application. It lacks a specific engraver, being the product of local assayers or officials. Its "style" is one of pragmatic necessity, a simple, often irregular, impression signifying official revalidation rather than intricate design or sophisticated engraving techniques typical of royal mints.
Technical/Grading: For grading this specific type, the paramount feature is the clarity, depth, and completeness of the 1734 'Bamba' countermark itself. A well-struck and fully visible countermark, free from excessive weakness or double striking, is highly desirable. Secondary consideration is given to the host 1 Real of Charles I, assessing its remaining details, such as the legends, monarch's effigy, or shield elements. Wear on both the host coin and the countermark should be evaluated. Planchet integrity, including any significant flan cracks or damage predating or resulting from the countermarking process, also influences the overall grade. Patina and surface preservation are also important factors.