目录
| 发行方 | Norway |
|---|---|
| 年份 | 1015-1030 |
| 类型 | Standard circulation coin |
| 面值 | 1 Penning |
| 货币 | Penning (995-1387) |
| 材质 | Silver |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Skaare#2 |
| 正面描述 | Bust of the king facing left wit hinscription around it. A beaded ring on the rim. |
|---|---|
| 正面文字 | |
| 正面铭文 |
VNLAFI XEX A NOR (Translation: Olav, King of Norway) |
| 背面描述 | Double cross in the centre, with the inscription around it. A beaded ring on the rim. |
| 背面文字 | |
| 背面铭文 |
ASDRID MO NOR (Translation: Norwegian Money, Asthrith) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1015-1030) - - |
| Numisquare 编号 | 3562914950 |
| 附加信息 |
Historical Context: The penning of Olav Haraldsson, issued between 1015 and 1030, represents a foundational period in Norwegian numismatic history. Olav's reign was pivotal for the unification and Christianization of Norway, and his coinage served as a powerful symbol of his royal authority and the emerging state. Drawing inspiration from contemporary Anglo-Saxon and continental European monetary systems, these early pennings facilitated trade and taxation, asserting a centralized royal prerogative over economic matters. Olav, later canonized as Saint Olav, solidified his legacy through both political and monetary innovation.
Artistry: The artistry of the Olav Haraldsson penning, exemplified by Skaare#2, is largely influenced by Anglo-Saxon prototypes, particularly the Crux and Long Cross types of Æthelred II. While specific engravers are not recorded, the dies were likely cut by skilled artisans, possibly trained by foreign moneyers or drawing directly from English examples. The obverse typically features a stylized, often crude, bust of the king, facing left or right, accompanied by a rudimentary royal title. The reverse generally displays a prominent cross design, sometimes with additional symbols or pellets, surrounded by a legend identifying the moneyer or mint.
Technical/Grading: These early hammered pennings frequently exhibit technical inconsistencies characteristic of medieval minting. Strikes are often off-center, resulting in incomplete legends or portions of the design falling off the flan. Weakness is commonly observed on the highest points of relief, such as the king's nose, eye, or crown on the obverse, and the center or ends of the cross arms on the reverse. Flans are typically irregular in shape and thickness. Despite these variations, the silver purity was generally high, reflecting the intrinsic value of the coin, and well-struck examples with full legends are highly prized by collectors.