| Uitgever | Chitradurga Nayak kingdom (Indian Hindu Dynasties) |
|---|---|
| Jaar | 1565-1602 |
| Type | Standard circulation coin |
| Waarde | 1 Pagoda |
| Valuta | |
| Samenstelling | Gold |
| Gewicht | 3.5 g |
| Diameter | |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | Fr#381 |
| Beschrijving voorzijde | God Balakrishna in a seated pose within dotted border, with small dots in field. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Three Line Devanagari legend |
| Schrift keerzijde | Devanagari |
| Opschrift keerzijde | Shri Madakeri Nayaka |
| Rand | Plain |
| Muntplaats | |
| Oplage |
ND (1565-1602) - - |
| Numisquare-ID | 1824511930 |
| Aanvullende informatie |
Historical Context: This 1 Pagoda coin, issued by Madakeri Nayaka I (1565-1602), originates from the Chitradurga Nayak kingdom, a prominent regional power that emerged in southern India following the decline of the Vijayanagara Empire. Madakeri Nayaka I was a pivotal ruler, instrumental in consolidating the kingdom's independence and expanding its influence, particularly within the Karnataka region. His reign marked a period of relative stability and prosperity, characterized by robust fortifications and a distinct cultural identity that blended local traditions with enduring Vijayanagara influences.
Artistry: The design of this gold Pagoda reflects the prevailing numismatic traditions of the Deccan, heavily influenced by the Vijayanagara stylistic school. While specific engravers remain anonymous, the coin typically features a prominent Hindu deity on the obverse, often Shiva-Parvati (Ardhanarishvara) or Vishnu, rendered in a stylized, somewhat abstract manner characteristic of the period. The reverse usually presents a simpler motif, perhaps a legend in Kannada or an abstract floral design, all within the characteristic dumpy fabric of the Pagoda type.
Technical/Grading: Struck in 3.5 grams of gold, the technical quality of these Pagodas can vary. High-points susceptible to wear or weakness include the facial features of the deity, intricate details of their attributes, and any legends. A well-preserved example will exhibit strong strike definition on these areas. Many specimens show evidence of irregular planchet preparation or off-center strikes, common for hand-struck coinage. Sharpness of the devices and clarity of the field are key indicators for assessing grade.