| Emittent | Chitradurga Nayak kingdom (Indian Hindu Dynasties) |
|---|---|
| Jahr | 1565-1602 |
| Typ | Standard circulation coin |
| Nennwert | 1 Pagoda |
| Währung | |
| Material | Gold |
| Gewicht | 3.5 g |
| Durchmesser | |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | Hammered |
| Ausrichtung | Medal alignment ↑↑ |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) | Fr#381 |
| Aversbeschreibung | God Balakrishna in a seated pose within dotted border, with small dots in field. |
|---|---|
| Aversschrift | |
| Averslegende | |
| Reversbeschreibung | Three Line Devanagari legend |
| Reversschrift | Devanagari |
| Reverslegende | Shri Madakeri Nayaka |
| Rand | Plain |
| Prägestätte | |
| Auflage |
ND (1565-1602) - - |
| Numisquare-ID | 1824511930 |
| Zusätzliche Informationen |
Historical Context: This 1 Pagoda coin, issued by Madakeri Nayaka I (1565-1602), originates from the Chitradurga Nayak kingdom, a prominent regional power that emerged in southern India following the decline of the Vijayanagara Empire. Madakeri Nayaka I was a pivotal ruler, instrumental in consolidating the kingdom's independence and expanding its influence, particularly within the Karnataka region. His reign marked a period of relative stability and prosperity, characterized by robust fortifications and a distinct cultural identity that blended local traditions with enduring Vijayanagara influences.
Artistry: The design of this gold Pagoda reflects the prevailing numismatic traditions of the Deccan, heavily influenced by the Vijayanagara stylistic school. While specific engravers remain anonymous, the coin typically features a prominent Hindu deity on the obverse, often Shiva-Parvati (Ardhanarishvara) or Vishnu, rendered in a stylized, somewhat abstract manner characteristic of the period. The reverse usually presents a simpler motif, perhaps a legend in Kannada or an abstract floral design, all within the characteristic dumpy fabric of the Pagoda type.
Technical/Grading: Struck in 3.5 grams of gold, the technical quality of these Pagodas can vary. High-points susceptible to wear or weakness include the facial features of the deity, intricate details of their attributes, and any legends. A well-preserved example will exhibit strong strike definition on these areas. Many specimens show evidence of irregular planchet preparation or off-center strikes, common for hand-struck coinage. Sharpness of the devices and clarity of the field are key indicators for assessing grade.