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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A frontal bust of Saint James the Apostle is depicted in the centre of the flan, rendered in a flat, hieratic Romanesque style consistent with Iberian ecclesiastical imagery of the late 12th century. The figure appears nimbed or crowned, shown facing forward with stylised facial features including a beard, and wearing vestments indicated by incised linear detailing across the chest. The circular legend *IACOBI* surrounds the bust, invoking the patron saint of the pilgrimage route and the Cathedral of Santiago de Compostela. The flan edges are irregular and the strike is characteristically uneven, typical of hammered billon obols of this period. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Ferdinand II of León struck these small billon pieces to fund his ongoing campaigns against both the Almohad Caliphate and the competing Christian kingdoms to his north and east. The Saint James association is deliberate — the cult of Santiago de Compostela was deeply embedded in Leonese royal ideology, and Fernando leveraged it aggressively as a political tool throughout his reign. His 1170 treaty with Portugal had barely held, and by the late 1170s he was simultaneously managing frontier pressure on multiple borders.
The two-year window assigned to this type reflects die study rather than documentary evidence.