Catálogo
| Emisor | Regenstein, County of |
|---|---|
| Año | 1549-1551 |
| Tipo | Standard circulation coin |
| Valor | 1 Mariengroschen (1⁄36) |
| Moneda | Thaler |
| Composición | Silver |
| Peso | |
| Diámetro | 23 mm |
| Grosor | |
| Forma | Round |
| Técnica | |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | MB#10, Schro/Deni#102, Schult#2886 |
| Descripción del anverso | Shield of stag horn arms, ornate helmet above. |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso | MON. NOV. AR. VLR. C. I. REGEN. |
| Descripción del reverso | Madonna and Child, flames around. |
| Escritura del reverso | Latin |
| Leyenda del reverso | MARIA. MAT - ER. SALVA. |
| Canto | |
| Casa de moneda | |
| Tirada |
1549 - - 1550 - - 1551 - - |
| ID de Numisquare | 7096906360 |
| Información adicional |
Historical Context: This 1 Mariengroschen coin, issued by Ulrich VI, Count of Regenstein, between 1549 and 1551, stems from a turbulent era in the Holy Roman Empire. Ulrich VI governed the small County of Regenstein-Blankenburg during the aftermath of the Schmalkaldic War and the Reformation. Coinage served as a vital assertion of ducal sovereignty and an economic necessity for the often-financially strained counts. The Mariengroschen was a widely accepted silver denomination, crucial for regional trade in northern Germany.
Artistry: The design of this Mariengroschen reflects mid-16th century numismatic artistry, a transitional period from late Gothic to early Renaissance styles. While a specific engraver is rarely recorded for such regional issues, the dies were cut by skilled artisans. The obverse typically features the Virgin Mary, patroness of the denomination, often enthroned or holding the infant Christ. The reverse displays the heraldry of the Counts of Regenstein, prominently featuring Ulrich VI's titles and family arms, executed with a focus on heraldic accuracy.
Technical/Grading: As a product of 16th-century hammer striking, this Mariengroschen exhibits characteristics typical of the era. High points for wear and strike quality include the Virgin Mary's facial features and crown, plus intricate details of the Regenstein coat of arms. Technical strike qualities often vary; expect potential weaknesses in peripheral legends, slight off-centerness, or planchet irregularities such as minor cracks. The silver alloy, though generally consistent, might show evidence of less refined metallurgical practices.