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| 表面の説明 | Central field bearing an elaborate infinite knot motif, a decorative interlaced design characteristic of Ottoman decorative arts of the period. The design fills the flan with a symmetrical, continuously looping pattern. The coin is crudely struck by the hammered method, with uneven flan surfaces and moderate die wear typical of provincial Ottoman copper coinage. Significant encrustation and verdigris patina obscure fine detail. |
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| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Ahmed I came to the throne at fifteen following the death of Mehmed III, and his early coinage reflects the administrative scramble of a new reign — mint outputs were irregular and die preparation inconsistent across provincial facilities. The Misr mint, operating in Ottoman Cairo, served a Egyptian market that still thought partly in Mamluk monetary terms, and copper fractions like this manghir circulated in an economy where the silver akçe was increasingly debased and distrusted.
KM#9 specimens from Misr frequently show uneven flan preparation, a known characteristic of this mint's copper output in the early seventeenth century.