Каталог
| Описание аверса | Shield of stag horn arms, ornate helmet above. |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | VLRICVS. C(O). I(N). REGEN. |
| Описание реверса | Large B superimposed on long cross, date divided by lower arm of cross or lower part of B. |
| Письменность реверса | Latin |
| Надписи реверса | AC. D - OM. I. - BLA - NKE. |
| Гурт | |
| Монетный двор | |
| Тираж |
1546 - (15)46 - 1547 - (15)47 - 1548 - (15)48 - 1549 - (15)49 - |
| ID Numisquare | 1624864650 |
| Дополнительная информация |
Historical Context: The 1 Körtling of Ulrich XII, issued 1546-1549, marks the twilight of the County of Regenstein's independence under its traditional lineage. Ulrich XII was the last male count of Regenstein-Blankenburg, a minor principality within the Holy Roman Empire. This mid-16th century era was defined by the Reformation and political fragmentation, compelling smaller states to assert sovereignty through coinage. The Körtling, a low-value silver denomination, reflects the county's modest economic standing amidst broader imperial conflicts.
Artistry: The 1 Körtling's design follows the prevalent German Renaissance numismatic style, blending traditional heraldry with clear titulature. While no specific engraver is known for this regional issue, the 19mm coin typically features the Regenstein stag antlers coat of arms, accompanied by Count Ulrich XII's name and titles. The aesthetic prioritizes legibility of inscription and clear representation of the dynastic emblem over elaborate portraiture, consistent with smaller denominations of the period.
Technical/Grading: As a small silver issue, the 1 Körtling often exhibits characteristics typical of regional minting. Key high-points for assessing wear include the raised elements of the stag antlers and the lettering within Ulrich XII's titulature. Technical strike quality can vary; common issues are weak strikes, especially on peripheral legends, and occasional off-center strikes. Planchet quality may also show inconsistencies, such as minor flan cracks or irregular shapes, reflecting less refined production methods.