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1 Kopeck - Peter I МДЗ

Uitgever Russian Empire
Jaar 1713-1716
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Round
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The denomination КОПЕИКА (Kopeck) is inscribed in large Cyrillic characters across the center field in four lines, accompanied by the date expressed in Cyrillic numerals. A circular Cyrillic legend around the periphery reads 'Ruler of all Russia,' forming the full royal titulature in conjunction with the obverse inscription. The reverse typography is characteristic of the early eighteenth-century Russian copper coinage tradition, with bold, slightly irregular letterforms.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage 1713 МДЗ - ҂АѰГI -
1716 МДЗ - ҂АѰSI -
Aanvullende informatie

These early copper kopecks were struck at the Moscow Mint (Moskovsky Dvor) during Peter I's sweeping monetary reform, which abolished the tiny hand-struck wire kopeck — the "fish scale" money Russia had used for nearly two centuries — in favor of milled round coinage on Western European standards. The transition was deeply unpopular among peasants who distrusted the new coins, and counterfeiting became an immediate problem serious enough to require repeated government decrees.

The МДЗ mintmark denotes the third Moscow Mint courtyard, one of several facilities pressed into service as Peter struggled to produce sufficient copper coinage for the expanded monetary system. Dies were often reused aggressively across the 1713–1716 window.

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