1 Heller - Charles Theodore of Dalberg

Émetteur Rhine, Confederation of the
Année 1810-1812
Type Standard circulation coin
Valeur 1 Heller (1⁄576)
Devise Thaler (1806-1813)
Composition Copper
Poids 1.7 g
Diamètre 18.5 mm
Épaisseur 0.5 mm
Forme Round
Technique
Orientation Medal alignment ↑↑
Graveur(s)
En circulation jusqu’à
Référence(s) KM#9, AKS#1, Kahnt/Schön#1
Description de l’avers Crowned Arms.
Écriture de l’avers Latin
Légende de l’avers GROSH. FRANKF. SCHEIDE MÜNZ
Description du revers Denomination and date.
Écriture du revers Latin
Légende du revers *I* HELLER 1812 B*H
Tranche
Atelier
Tirage 1810 BH - -
1812 BH - -
ID Numisquare 1259713800
Informations supplémentaires

Historical Context: The 1 Heller, issued 1810-1812 by the Confederation of the Rhine, marks a pivotal moment in German history under Napoleonic influence. Its issuer, Charles Theodore of Dalberg, served as Prince-Primate and Grand Duke of Frankfurt. Dalberg's alignment with Napoleon made these coins emblematic of French restructuring. As a low-denomination copper piece, the Heller facilitated daily commerce amidst political realignments, reflecting a transitional era.

Artistry: While the specific engraver of this 1 Heller remains unrecorded, its design reflects the practical, legible aesthetic typical of low-denomination coinage from the Napoleonic era. The stylistic school, though influenced by Neoclassicism, prioritizes clarity for everyday commerce. The obverse typically features a clear inscription of Dalberg's name or title, possibly a monogram. The reverse displays the denomination "1 HELLER" and the year of mintage, ensuring functional recognition.

Technical/Grading: As a small copper coin, the 1 Heller of Charles Theodore of Dalberg exhibits specific characteristics for assessment. Key high-points for wear include any central monogram's raised elements or the highest points of lettering, such as the '1' and 'H' in HELLER, and the date digits. A strong strike yields full, sharp details on inscriptions and a well-defined rim. Lower grades often show weakness in central motifs or flatness on highest relief points, alongside common surface imperfections inherent to early 19th-century copper planchets.

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