| صادرکننده | Rhine, Confederation of the |
|---|---|
| سال | 1810-1812 |
| نوع | Standard circulation coin |
| ارزش | 1 Heller (1⁄576) |
| واحد پول | Thaler (1806-1813) |
| ترکیب | Copper |
| وزن | 1.7 g |
| قطر | 18.5 mm |
| ضخامت | 0.5 mm |
| شکل | Round |
| تکنیک | |
| جهت | Medal alignment ↑↑ |
| حکاک(ها) | |
| در گردش تا | |
| مرجع(ها) | KM#9, AKS#1, Kahnt/Schön#1 |
| توضیحات روی سکه | Crowned Arms. |
|---|---|
| خط روی سکه | Latin |
| نوشتههای روی سکه | GROSH. FRANKF. SCHEIDE MÜNZ |
| توضیحات پشت سکه | Denomination and date. |
| خط پشت سکه | Latin |
| نوشتههای پشت سکه | *I* HELLER 1812 B*H |
| لبه | |
| ضرابخانه | |
| تیراژ ضرب |
1810 BH - - 1812 BH - - |
| شناسه Numisquare | 1259713800 |
| اطلاعات تکمیلی |
Historical Context: The 1 Heller, issued 1810-1812 by the Confederation of the Rhine, marks a pivotal moment in German history under Napoleonic influence. Its issuer, Charles Theodore of Dalberg, served as Prince-Primate and Grand Duke of Frankfurt. Dalberg's alignment with Napoleon made these coins emblematic of French restructuring. As a low-denomination copper piece, the Heller facilitated daily commerce amidst political realignments, reflecting a transitional era.
Artistry: While the specific engraver of this 1 Heller remains unrecorded, its design reflects the practical, legible aesthetic typical of low-denomination coinage from the Napoleonic era. The stylistic school, though influenced by Neoclassicism, prioritizes clarity for everyday commerce. The obverse typically features a clear inscription of Dalberg's name or title, possibly a monogram. The reverse displays the denomination "1 HELLER" and the year of mintage, ensuring functional recognition.
Technical/Grading: As a small copper coin, the 1 Heller of Charles Theodore of Dalberg exhibits specific characteristics for assessment. Key high-points for wear include any central monogram's raised elements or the highest points of lettering, such as the '1' and 'H' in HELLER, and the date digits. A strong strike yields full, sharp details on inscriptions and a well-defined rim. Lower grades often show weakness in central motifs or flatness on highest relief points, alongside common surface imperfections inherent to early 19th-century copper planchets.