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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Standing frontal figure of Christ Pantocrator, draped in robes, with right hand raised in benediction and left hand holding the Gospels. The figure is rendered in a Byzantine-influenced style typical of Ragusan medieval coinage. Flanking legends in Greek characters reference Jesus Christ, with the Omega symbol (Ω) appearing as a mint or type differentiator. The coin's extremely thin flan and hammered technique result in some weakness of strike across the reverse field. |
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| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain (too thin to have any design, almost razor thin). |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Ragusa — modern Dubrovnik — maintained formal independence largely through sophisticated diplomacy, paying tribute simultaneously to both the Ottoman Empire and, at various points, Hungary and Venice. This coin's century-long production run reflects that studied neutrality: the city-state kept its mint active and its silver circulating without interruption through some of the most volatile politics in Mediterranean history.
The Ω (omega) designation distinguishes this type from earlier grosso issues and likely signals a die or administrative series marker used by the Ragusan mint rather than any denominational change.