Katalog
| İhraççı | Hamburg, Free Hanseatic city of |
|---|---|
| Yıl | 1435-1440 |
| Tür | Standard circulation coin |
| Değer | 1 Goldgulden (4) |
| Para birimi | Mark (1325-1552) |
| Bileşim | Gold |
| Ağırlık | 3.47 g |
| Çap | 24 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Fr#1084, Gaed#255b |
| Ön yüz açıklaması | Standing figure of Saint Petrus facing right. |
|---|---|
| Ön yüz yazısı | Latin (uncial) |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Imperial orb within trefoil. |
| Arka yüz yazısı | Latin (uncial) |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (1435-1440) - - |
| Numisquare Kimliği | 1632568070 |
| Ek bilgiler |
Historical Context: Struck by the Free Hanseatic City of Hamburg between 1435 and 1440, this 1 Goldgulden signifies a zenith of Hanseatic economic power. Hamburg, a crucial League member, asserted considerable autonomy within the Holy Roman Empire through its strategic port and extensive trade network. Issuing gold coinage, especially the internationally accepted Goldgulden, underscored Hamburg's commercial prosperity and its role as a major financial hub in Northern Europe, facilitating long-distance trade and solidifying its independent status amidst evolving political landscapes.
Artistry: The design reflects prevalent Late Gothic artistic conventions. While specific engravers are typically unrecorded for municipal issues of this period, the style features stylized religious iconography and heraldic elements. Goldgulden often depicted St. John the Baptist standing, a common motif emulating the Rhenish Gulden standard, paired with a cruciform design displaying the city's armorial shields. The artistry prioritizes symbolic representation over naturalistic detail, characteristic of 15th-century Northern European minting practices.
Technical/Grading: Strike quality for medieval issues varies. Key high-points for wear and strike include the saint's facial features, hands, and drapery folds on the obverse, and the cross's central elements and terminal points, plus armorial shield details on the reverse. Collectors should seek a well-centered strike, though slight off-centering is common. Planchet irregularities and minor weakness are often observed, yet gold's malleability generally allowed for a sharper impression than contemporary silver coinage, making well-preserved examples highly desirable.