カタログ
| 表面の説明 | Bust left within beaded inner circle. Legend starts at lower left. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
⸰ LEO*DECIMVS ⸰ PONT ⸰ MAXIMVS ⸰ (Translation: Leo X Supreme Pontiff) |
| 裏面の説明 | Saint Paul (left, holding sword and book) and Saint Peter (right, holding key) seated facing each other. In exergue, arms of Cardinal Armellini, legate in the March of Ancona. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
⸰ PAVLVS ⸰⸰ ٠S٠ ⸰⸰ PETRVS ⸰ (Translation: Saints Paul and Peter) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (1513-1521) - - |
| Numisquare ID | 1405175340 |
| 追加情報 |
Historical Context: Pope Leo X, born Giovanni di Lorenzo de' Medici, presided over the Papal States from 1513 to 1521, a period globally recognized as the High Renaissance. His pontificate was marked by an extraordinary flourishing of arts and culture, with Rome becoming a beacon of intellectual and artistic innovation. Simultaneously, Leo X navigated complex political landscapes across Italy and Europe, while also confronting the nascent challenges of the Protestant Reformation. Macerata, a significant city within the Papal patrimony, issued this silver Giulio under direct papal authority, underscoring the Holy See's extensive economic and administrative reach during this transformative era.
Artistry: The obverse of this Giulio features a compelling bust of Pope Leo X, a prime example of High Renaissance portraiture. While the specific master engraver for the Macerata mint often remains anonymous, the stylistic execution strongly reflects the prevailing artistic trends emanating from Rome, influenced by celebrated medallic artists of the time. The design emphasizes a dignified and individualized portrayal, capturing the pontiff's likeness with a refined classical realism. This humanistic approach to portraiture was a hallmark of the period, aiming to convey both the temporal authority and intellectual gravitas of the sitter.
Technical/Grading: This silver Giulio, weighing 3.8 grams and measuring 28 millimeters, typically displays characteristics inherent to early 16th-century hammer-struck coinage. Key high-points susceptible to wear and strike weakness include the tip of Leo X's nose, the prominent folds of his mozetta, and the intricate details of his cap or tiara. Desirable specimens will exhibit a strong, centralized strike with minimal planchet flaws. However, due to manual production, minor off-centering, planchet irregularities, and some weakness in the highest relief areas are common and generally accepted features of these historical issues.