Catalogus
| Uitgever | Costa Rica |
|---|---|
| Jaar | 1850 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Milled |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | AMERICA CENTRAL 21 Qs 1 E J. B. (Translation: Central America 21 Karats 1 Escudo Juan Barth) |
| Rand | Reeded |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Costa Rica's monetary system in 1850 was in genuine flux — the young republic was actively debating coinage standards as it distanced itself from the colonial-era macuquina currency still circulating in the region. Pattern pieces from this period were struck to test proposed denominations and compositions before official adoption, and white metal was a common medium for such trials, being cheap and easy to work without committing to a silver or gold standard. The escudo as a unit was itself borrowed from the Spanish colonial framework and would soon give way to decimal reforms.
KM#A3 documents this as a pattern, meaning it never entered circulation.