Katalog
| Emittent | Costa Rica |
|---|---|
| Jahr | 1850 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Milled |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | AMERICA CENTRAL 21 Qs 1 E J. B. (Translation: Central America 21 Karats 1 Escudo Juan Barth) |
| Rand | Reeded |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Costa Rica's monetary system in 1850 was in genuine flux — the young republic was actively debating coinage standards as it distanced itself from the colonial-era macuquina currency still circulating in the region. Pattern pieces from this period were struck to test proposed denominations and compositions before official adoption, and white metal was a common medium for such trials, being cheap and easy to work without committing to a silver or gold standard. The escudo as a unit was itself borrowed from the Spanish colonial framework and would soon give way to decimal reforms.
KM#A3 documents this as a pattern, meaning it never entered circulation.