| Đơn vị phát hành | Compiano, Principality of |
|---|---|
| Năm | 1622-1623 |
| Loại | Standard circulation coin |
| Mệnh giá | 22 Lire 12 Soldi |
| Tiền tệ | |
| Chất liệu | Gold |
| Trọng lượng | 6.48 g |
| Đường kính | 25 mm |
| Độ dày | |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | |
| Nghệ nhân khắc | Nicola Gandusio |
| Lưu hành đến | |
| Tài liệu tham khảo | KM#19, MIR#85 |
| Mô tả mặt trước | Draped and milled bust on the right of Prince Federico Landi. |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | D. FED. LAN. S. R. I. AC. VALL. . G . . |
| Mô tả mặt sau | Crowned shield containing a double-headed eagle and the coat of arms of the Landi family. |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | TAR. F. CEN. PRIN. .IIII. BAR. M. C. C. P. D |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1622-1623) - - |
| ID Numisquare | 1784501800 |
| Thông tin bổ sung |
Historical Context: This 1 Doppia, issued 1622-1623, signifies Federico Landi's assertion of sovereignty as Prince of Compiano. The Principality, strategically located in the Apennines, maintained precarious independence during the early 17th century. Issuing a substantial gold denomination like the Doppia declared princely rights and economic strength, particularly as larger regional powers, notably the Farnese of Parma, threatened smaller Italian states. This coinage embodies the shifting power dynamics of fragmented Italy.
Artistry: The coin's design reflects early Baroque aesthetics, likely by a skilled local engraver. The obverse typically features a regal bust of Prince Federico Landi, often laureate or armored, conveying authority. The reverse commonly displays the elaborate Landi family coat of arms, crowned, or an allegorical motif, encircled by legends. The 25mm gold flan allowed for intricate detail in both portraiture and heraldry, showcasing a blend of late Renaissance and emerging Baroque numismatic styles.
Technical/Grading: Struck in gold at 6.48 grams, the Doppia's technical qualities are key for evaluation. High-points susceptible to wear include the highest relief areas of Landi's portrait (hair, cheek, armor) and the crown/intricate elements of the reverse coat of arms. A sharp strike reveals full detail in these areas, often with good luster. Planchet irregularities or slight off-center strikes are common for the period. A well-centered, fully struck example with minimal wear is highly sought.