1 Dinar - Kidarite Huns

发行方 Kidarite Kingdom
年份 360-457
类型 Standard circulation coin
面值 Dinar (20)
货币 Drachm (380-477)
材质 Gold (or Electrum)
重量 7.74 g
直径
厚度
形状 Round (irregular)
制作工艺 Hammered
方向 Variable alignment ↺
雕刻师
流通至
参考资料 Mitch AC#3618 , Göbl Kushan#612
正面描述 Formalized Kushan-style king sacrificing left over altar, symbols and lettering around.
正面文字 Brahmi
正面铭文
背面描述 Goddess Ardoksho (Tyche) enthroned facing with cornocopia and mace.
背面文字 Brahmi
背面铭文
边缘
铸币厂
铸造量 ND (360-457) - -
Numisquare 编号 5230100120
附加信息

Historical Context: This 1 Dinar coin represents the Kidarite Kingdom, a powerful Hunnic confederation that emerged in Central Asia between 360 and 457 CE. Led by figures like Kidara, they successfully challenged the waning Kushan Empire and encroached upon Sasanian territories in Bactria and Gandhara. Their coinage served as a declaration of sovereignty, asserting their dominance in a region previously under strong Persian or Indo-Scythian influence, marking a significant geopolitical shift in late antiquity.

Artistry: Lacking a specific engraver, the coin's artistry reflects a fascinating syncretism, blending late Kushan numismatic traditions with Sasanian iconographic elements. The obverse typically features a stylized bust of the Kidarite ruler, often adorned with a distinctive crown and sometimes rendered frontally, echoing Kushan prototypes. The reverse frequently adapts Sasanian fire altar designs or depicts deities, most commonly Shiva, demonstrating a complex cultural assimilation within a distinct Hunnic stylistic interpretation.

Technical/Grading: Struck in gold or electrum with a substantial weight of 7.74 grams, this Dinar is a robust piece of currency. High-points susceptible to wear include the ruler's facial features and crown on the obverse, and the central device or deity on the reverse. Technical strike qualities are often variable; while flan preparation is generally adequate, off-centering and minor die shifts are common. The engraving, though robust, can exhibit a certain crudeness compared to Sasanian issues, reflecting the Hunnic aesthetic.

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