Katalog
| Emittent | City of Solothurn |
|---|---|
| Jahr | 1520 |
| Typ | Coin pattern |
| Nennwert | 1 Dicken (⅓) |
| Währung | Guldiner (15th century-1579) |
| Material | Gold |
| Gewicht | 9.8 g |
| Durchmesser | 29 mm |
| Dicke | |
| Form | Round (irregular) |
| Prägetechnik | |
| Ausrichtung | |
| Stempelschneider | |
| Im Umlauf bis | |
| Referenz(en) |
| Aversbeschreibung | Eagle above arms of Solothurn. |
|---|---|
| Aversschrift | |
| Averslegende |
MONETA SOLODORENS S O (Translation: Money of Solothurn) |
| Reversbeschreibung | Bust of Saint Ursus facing right. |
| Reversschrift | |
| Reverslegende | SANCTVS VRSVS MAR |
| Rand | |
| Prägestätte | |
| Auflage |
ND (1520) - - |
| Numisquare-ID | 5841809680 |
| Zusätzliche Informationen |
Historical Context: The 1520 Solothurn 1 Dicken Pattern emerges from a pivotal era for the City of Solothurn, an influential member of the Old Swiss Confederacy and a Free Imperial City. This period, on the cusp of the Reformation, saw significant political maneuvering. The Dicken, typically a large silver denomination, appearing as a gold pattern is exceptionally rare. It likely represents an ambitious attempt to introduce a high-value gold coinage, possibly for international trade, diplomatic gifts, or as a prestige issue reflecting Solothurn's growing economic and political stature.
Artistry: While the specific engraver remains unrecorded, the coin’s design reflects a synthesis of late Gothic tradition and nascent Renaissance influences. The obverse typically features a rendered standing figure of Saint Ursus, Solothurn's patron saint, often depicted holding a banner or sword, his robes exhibiting intricate folds. The reverse commonly displays the city's armorial bearings—a shield with two lions rampant—or the Imperial Eagle, symbolizing its Free Imperial City status. The pattern designation suggests an elevated level of detail and craftsmanship.
Technical/Grading: Struck in gold, with a substantial weight of 9.8 grams and a diameter of 29 millimeters, this pattern piece exhibits exceptional technical qualities. High points include the saint’s head, hands, and uppermost drapery folds on the obverse, and the lions' musculature and shield details on the reverse. As a pattern, a full, sharp strike is anticipated, showcasing crisp details from fresh dies, likely on a broad, well-prepared flan. Its rarity and status as a pattern imply superior preservation, often with minimal circulation wear, underscoring its presentation or trial purpose.