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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A long voided cross pattée occupies the full field, its arms extending to the inner beaded circle and dividing the reverse into four quadrants, each adorned with a rose ornament in the angles. A second beaded circle frames the cross design, beyond which the circular legend in Gothic uncial script is disposed in four segments separated by pellets. The design is characteristic of medieval ecclesiastical denaro coinage, combining devotional cross imagery with civic identification of the mint city. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ✿ aQV ⁕ ILE ⁕ GEn ⁕ SIS (Translation: of Aquileia) |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Antonio I Caetani held the Patriarchate of Aquileia from 1395 to 1402, appointed by Pope Boniface IX during a period when the patriarchate was caught between Venetian territorial ambitions and the fractured politics of the Duchy of Austria. The see at Aquileia had once commanded enormous ecclesiastical authority across northeastern Italy and the western Balkans, but by Caetani's tenure it was a diminished power negotiating its survival between larger secular forces.
Bernardi's corpus on Friulian coinage remains the standard reference for attributing these small silver issues to specific patriarchs, where die-linked specimens help distinguish otherwise near-identical types across successive reigns.