Katalog
| İhraççı | Taman, Goths from |
|---|---|
| Yıl | 250-275 |
| Tür | Standard circulation coin |
| Değer | 1 Denarius |
| Para birimi | |
| Bileşim | Silver |
| Ağırlık | 2.50 g |
| Çap | 17 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Sergeev#cf. 280 |
| Ön yüz açıklaması | Laureate bust facing right surrounded by legend. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | IXNIOIIIIIIIIAAHXIO |
| Arka yüz açıklaması | Draped male standing while facing left raising his right hand and placing his left atop a cross with four pellets, all surrounded by legend. |
| Arka yüz yazısı | |
| Arka yüz lejandı | IIIIIVΛIIICIIZΛOΛIIIOIII |
| Kenar | Smooth. |
| Darphane | |
| Basma adedi |
ND (250-275) - - |
| Numisquare Kimliği | 7611625710 |
| Ek bilgiler |
Historical Context: This denarius imitation, struck by Goths from the Taman Peninsula (250-275 CE), is a crucial numismatic artifact from the tumultuous Crisis of the Third Century. Its Gothic issuance, imitating Marcus Aurelius (161-180 CE), highlights the Roman Empire's economic and political fragmentation. These imitations demonstrate Gothic engagement with Roman monetary systems for trade or tribute, reflecting their growing influence and the need for a circulating medium beyond Roman control. Choosing an earlier, stable emperor suggests recognition of its value.
Artistry: Its artistry is characteristic of provincial or "barbaric" coinage. Lacking sophisticated Roman mint craftsmanship, the anonymous Gothic engraver prioritized recognition over