カタログ
| 発行体 | Taman, Goths from |
|---|---|
| 年号 | 250-275 |
| 種類 | Standard circulation coin |
| 額面 | 1 Denarius |
| 通貨 | |
| 材質 | Silver |
| 重量 | 2.50 g |
| 直径 | 17 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Sergeev#cf. 280 |
| 表面の説明 | Laureate bust facing right surrounded by legend. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | IXNIOIIIIIIIIAAHXIO |
| 裏面の説明 | Draped male standing while facing left raising his right hand and placing his left atop a cross with four pellets, all surrounded by legend. |
| 裏面の文字体系 | |
| 裏面の銘文 | IIIIIVΛIIICIIZΛOΛIIIOIII |
| 縁 | Smooth. |
| 鋳造所 | |
| 鋳造数 |
ND (250-275) - - |
| Numisquare ID | 7611625710 |
| 追加情報 |
Historical Context: This denarius imitation, struck by Goths from the Taman Peninsula (250-275 CE), is a crucial numismatic artifact from the tumultuous Crisis of the Third Century. Its Gothic issuance, imitating Marcus Aurelius (161-180 CE), highlights the Roman Empire's economic and political fragmentation. These imitations demonstrate Gothic engagement with Roman monetary systems for trade or tribute, reflecting their growing influence and the need for a circulating medium beyond Roman control. Choosing an earlier, stable emperor suggests recognition of its value.
Artistry: Its artistry is characteristic of provincial or "barbaric" coinage. Lacking sophisticated Roman mint craftsmanship, the anonymous Gothic engraver prioritized recognition over