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| 表面の説明 | Highly stylized, schematically rendered barbarian effigy facing right, executed in a crude provincial manner characteristic of Gothic imitative coinage from the Taman region. The head is depicted with bold, simplified strokes, lacking fine detail, reflecting the degenerate artistic tradition of late Roman denarius imitations. The surrounding field is unadorned, and the flan exhibits an irregular, roughly circular shape with visible surface porosity and green patination consistent with prolonged burial. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Schematically rendered winged figure standing facing, rendered in a highly debased and abstract style typical of Gothic imitative issues from the northern Black Sea region. Flanking the central figure to the left and right are two sets of symbols each comprising a circle (annulet) and an X-form mark, interpreted as degraded renderings of Roman reverse iconography and legend elements. The execution is crude and deeply stylized, with bold raised lines and irregular flan edges; the surface retains a brown and green patina with areas of earthen encrustation. |
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| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The so-called "Taman denarii" are among the most debated coinages in late antique numismatics. Attributed to Gothic groups operating around the Taman Peninsula — the ancient Sindian and later Bosporan territory at the eastern end of the Crimea — their precise issuing authority remains contested. Some scholars assign them to Gothic federates drawing on degraded Roman monetary conventions; others see them as local imitations circulating in the power vacuum left by the collapse of the Bosporan Kingdom in the later third century.
The copper fabric and the broad date range reflect genuine uncertainty rather than established chronology.